Boekverslag : Kurt Vonnegut - Slaughterhouse Five
De taal ervan is Engels en het aantal woorden bedraagt 1930 woorden. |
Introduction Title,subtitle: slaughterhouse-five; or the children’s crusade, a duty dance with death Publisher, place and year of edition: Dell Publishing, New York 1971 Author, short biography and bibliography, dedication: Kurt Vonnegut Jr. was born in 1922. He is an author of numerous novels and short stories, two plays and several works of non-fiction. Most of his books are affected by his war experience (Hocus Pocus, Mother Night etc.), although in some novels it is really hard to identify. In Slaughterhouse-Five, however, the war experiences are obvious from the beginning. All his books are strongly satirical and ironical (Vonnegut often uses very dark humor), funny and extremely wise. They mostly have a very poor plot (or none at all). Kurt Vonnegut also very often uses science fiction and comic book formulas (quick action, short dialogues etc.), which usually puts his books onto bookstore shelves marked "sci-fi". Vonnegut, however, doesn't take the sci-fi elements with the same seriousness as the other sci-fi writers, and that probably makes the difference between his works and science fiction. In Slaughterhouse-Five, many characters from his previous books show up (Mr. Rosewater, Kilgore Trout, the Tralfamadorians etc.) The reader can also recognize some themes that appeared in Vonnegut's earlier books (War vs. Love; Life vs. human understanding etc). Some critiques described Slaughterhouse-Five as a summary of his previous five novels. Analysis Plot: ''In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut finally delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Point of view: The book has two narratives. One is personal and the other is impersonal. The latter is the story of Billy Pilgrim who, similarly to the author, fights in World War Two, is taken prisoner by the Germans and witnesses the fire-storming of Dresden. The whole narration is written in the past tense, so that the reader can not identify where the author's starting point is. The personal narrative is Vonnegut's own story about writing a book about the worst experience of his life. It appears mostly in the first chapter, and describes his temptation to write a book about Dresden and his efforts to finally produce it. The personal view also appears in the tenth (and last) chapter. This can assure the reader of particular identity of the author with Billy. Structure: The whole book is organized in the same way Billy moves in time. It consists of numerous sections and paragraphs strung together in no chronological order. Theme: Vonnegut manages to tell the reader many things and it is hard to decide, what exactly is the main theme. It is a novel about war, about the cruelty and violence done in war, about people and their nature, their selfishness, about love, humanity, regeneration, motion, and death The first theme of Slaughterhouse-Five, and perhaps the most obvious, is the war and its contrast with love, beauty, humanity, innocence etc. Slaughterhouse-Five, like Vonnegut's previous books, manages to tell us that war is bad for us and that it would be better for us to love eachother. To find the war's contrast with love is quite difficult, because the book doesn't talk about any couple that was cruelly torn apart by the war (Billy didn't seem to love his wife very much, for example.) Vonnegut expresses it very lightly, uses the word "love" very rarely An interesting contrast in Vonnegut's books is the one between men and women. Male characters are often engaging in fights and wars, and females try to prevent them from it. The woman characters are often mentally strong, have strong will, and are very humane and loving. A good example is Vonnegut's dialogue in the first chapter, when he talks with his old friend O'Hare in front of O'Hare's wife: Then she turned to me, let me see how angry she was, and that the anger was for me. She had been talking to herself, so what she said was a fragment of a much larger conversation. 'You were just babies then!' she said. 'What?' I said. 'You were just babies in the war--like the ones upstairs!' I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood. 'But you're not going to write it that way, are you.' This wasn't a question. It was an accusation. 'I - I don't know,' I said. 'Well, I know,' she said. 'You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs.' So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. (p. 14-15) Another place where Vonnegut expresses the previously mentioned qualities of women is the part where Billy becomes "slightly unstuck in time" and watches the war movie backwards: When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. ( p.74-75). In reality, of course, the women were building the weapons instead of dismantling them. The most often expressed theme of the book, in my opinion, is that we, people, are "bugs in amber." The phrase first appears when Billy is kidnapped by the Tralfamadorian flying saucer: me?' 'Welcome aboard, Mr. Pilgrim,' said the loudspeaker. 'Any questions?' Billy licked his lips, thought a while, inquired at last: 'Why 'That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?' 'Yes.' Billy, in fact, had a paperweight in his office which was a blob of polished amber with three lady-bugs embedded in it. 'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.' (p.76-77). Main message: As you noticed, the book has different messages; everybody may see something else as its main meaning. I think that Vonnegut wanted to tell us, the readers, that no matter what happens, we should retain our humanity. We should not let anybody or anything reign upon our personalities, be it a god, be it a politician or anybody else. We should be ourselves - human and humane beings. I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which greaw upon the ground. So it goes. Those were vile people in both those cities, as is well known. The world was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes, (p.21-22). |
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